School of Music, Theatre and Dance at the University of Michigan
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Bachelor of Music in Music Theory

Designed for students who wish to balance theoretical and applied approaches to the study of music. Elected courses range from developing musical craft (such as analysis, counterpoint, improvisation, and music composition) to aesthetics, music cognition, and music technology.

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Curriculum

The Bachelor of Music in Music Theory requires a minimum of 120 credits: coursework is 75% within SMTD and 25% within the liberal arts. SMTD coursework to include:
Music Theory
Musicology
Ensemble participation
Piano
Composition

Courses

SMTD offers a wide variety of courses across all disciplines.

Silent Advisor

Degree requirements and term-by-term layout for current students.

Faculty

Performance Opportunities

From large ensembles in celebrated concert halls to chamber groups in intimate recital spaces, performance opportunities across all disciplines abound, with nearly 900 student performances each academic year. Whether your focus is on early, classical, or contemporary music, whether your passion is for jazz, electronic, or world music, there is an ensemble—or in many cases, multiple ensembles—to suit your interests, including specific opportunities for percussion, piano, and organ & carillon. For students in theatre & drama, musical theatre, dance, and opera, opportunities abound in both professionally produced and student-run presentations.

Recitals

Recitals

Across all disciplines, students perform and study with their peers in studio classes and perform for the public in solo student recitals and studio recitals.

Collaborative

Collaborative Piano

Collaborative Piano students work with vocalists and instrumentalists throughout SMTD.

Chamber Music

Chamber Music

The thriving chamber music scene at SMTD offers students nearly limitless options to perform, innovate, and collaborate in small, self-driven, and diverse ensembles.

Large Ensembles

Large Ensembles

SMTD ensembles offer numerous concerts each season, performing notable works in the traditional canon as well as abundant newly commissioned works.

Questions?