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Tag Archives: Rhapsody in Blue

Ann Arbor Gershwin Centennial Festival 2024: “Rhapsody in Blue” and More…

February 2024 marks the 100th birthday of George Gershwin’s jazz piano concerto Rhapsody in Blue. To celebrate, the University of Michigan Gershwin Initiative in partnership with Ann Arbor’s landmark Michigan Theater (606 East Liberty in Ann Arbor) will host a Gershwin Centennial Celebration Concert on Sunday, Feb. 11, 2024 at 4:00 p.m. The event is free and open to the public, but requires an electronic, general admission ticket (reserve here). Please note: The start time for this event has been moved up to 4:00 p.m. A special feature of the concert will be the appearance of George Gershwin’s personal piano, a […]

Gershwin Centennial—100th Anniversary “Rhapsody in Blue” Edition Now Available

In celebration of the 100th anniversary of George Gershwin’s iconic concerto fusing classical music and jazz, The George and Ira Gershwin Critical Edition at the Univeristy of Michigan has published musicologist Ryan Raul Bañagale‘s landmark scholarly edition of the original 1924 jazz band version of Rhapsody in Blue, orchestrated by Ferde Grofé. The publication now makes the work’s full original musical notation—as it likely sounded when it was first premiered—available to Gershwin fans, music students, scholars, and performers. A signal voice in the American musical imagination, the melodies of Gershwin’s Rhapsody in Blue were first heard on February 12, 1924 […]

Interview with Timothy McAllister: Gershwin, Adams, and the Orchestral Saxophone

  The Gershwin Initiative’s own Lisa Keeney (lead editorial assistant and saxophonist) sat down in August 2016 to talk with Grammy award-winning saxophonist Timothy McAllister as a promotion for our September 2016 concert with the University of Michigan’s University Symphony Orchestra (USO). The USO premiered both the new edition of Concerto in F and the Unabridged Edition of An American in Paris. This program also featured Adams’ The Chairman Dances, and his Saxophone Concerto with soloist Timothy McAllister, for whom the concerto was written. We are delighted today to bring you the extended cut of the interview.  It is broken into three parts […]