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Category Archives: Michael Schachter
Editor-in-Chief Mark Clague was published in Senza Sordino yesterday, the official publication of the International Conference of Symphony and Opera Musicians (ICSOM). His essay is an engaging write-up on the Gershwin Critical Edition, its genesis, its goals, and its current projects. Congrats, Mark!
Word travels fast these days, and whether by Twitter or word of mouth, news of the Gershwin piano’s restoration has traveled “out there”. I’ve been observing the excitement build, as during the past month faculty and students have poked their head through the open door of the piano technology shop and inquired about the piano, or requested a moment or two to try it out. Reactions have been favorable, ranging from “Oh my! How long is this piano?” to “Wow, man! I can really dig this piano!” Whether polite or hip, the expressions on their faces tell me a […]
Inspired by the improvisations of U-M jazz piano major Gil Chapman (see “Flash of Gershwin” in the Listen gallery), we asked U-M SMTD Comp-Theory Ph.D. student Michael Schachter to create a musical weave of George Gershwin’s iconic Rhapsody in Blue with the University of Michigan’s own theme — our fight song “The Victors.” Michael took up the challenge with skill, artistry and passion, as he reported to me via email: “I’ve been a big George Gershwin fan as long as I can remember. His “Three Preludes for Piano” were my first entrée into classical music, and his perhaps unmatched ability […]