This summer an incredible delivery arrived at the University of Michigan School of Music, Theatre & Dance — George Gershwin’s 1933 Steinway grand piano!!! The composer’s nephew, Marc George Gershwin, was moving from his longtime NYC apartment and the burgeoning collaboration with the University gave him a place to send the instrument—a new home in which the piano would not only be cherished but where it would be used regularly in performance. The instrument is a relatively rare Steinway “Long A” model, which has exceptional sound characteristics for its size (6′ 4″). We’ve played the piano just a bit and […]

William Bolcom, Pulitzer Prize winning American composer Advisory Board Member, George and Ira Gershwin Critical Edition “Finally there is a serious effort to put together a critical edition of George and Ira Gershwins’ work.  In the last few decades we’ve seen a growing number of worthwhile studies of American popular composers (see the recent Irving Berlin publications for example).  Others, like Jerome Kern and Alec Wilder, have written occasional chamber works alongside their song catalogues.  However George Gershwin, unlike his contemporaries in classic popular song, differs from the herd in that his non-Broadway work is major in substance, including one […]

Inspired by the improvisations of U-M jazz piano major Gil Chapman (see “Flash of Gershwin” in the Listen gallery), we asked U-M SMTD Comp-Theory Ph.D. student Michael Schachter to create a musical weave of George Gershwin’s iconic Rhapsody in Blue with the University of Michigan’s own theme — our fight song “The Victors.” Michael took up the challenge with skill, artistry and passion, as he reported to me via email: “I’ve been a big George Gershwin fan as long as I can remember.  His “Three Preludes for Piano” were my first entrée into classical music, and his perhaps unmatched ability […]