The University of Michigan School of Music, Theatre & Dance educates the artists, scholars, educators and entrepreneurs of the future. Students are prepared with expert skills, instilled with passionate enthusiasm, and emboldened to challenge and inspire the world through the power of the performing arts.
A group of jazz percussion students will spend spring break in Cuba, for a week of study and performance with Cuban musicians and students, as well as an immersive exploration of Cuban culture and history.
SMTD has partnered with the Gershwin family to bring the music of George and Ira Gershwin to students, scholars, performers and audiences across campus and worldwide.
Roland John Wiley was born in California, raised in Nevada, and earned his undergraduate degree in music from Stanford University, with departmental honors in choral conducting. Then followed a term of military service and graduate study at Harvard University, where he took the doctorate in 1974 with a dissertation on Tchaikovsky’s Swan Lake. He joined the faculty of the University of Michigan that year.
Wiley has served as production consultant for revivals of Swan Lake and The Nutcracker by the Royal Ballet at the Royal Opera House, Covent Garden, London, and has made translations for that theatre, the Edinburgh Festival, and the Dallas Opera.
Interests and Current Research
Wiley's research interests are Russian music and ballet within the context of 19th-century music; his current projects are a life and works of Tchaikovsky and a study of the choreographer Marius Petipa.
He has received grants from the Guggenheim and Mellon Foundations, the National Endowment for the Humanities, and the American Council of Learned Societies, which, in conjunction with the International Research and Exchanges Board, sponsored four research visits to Russia and the former USSR.
Wiley’s books include Tchaikovsky’s Ballets (1985), A Century of Russian Ballet (1990), and The Life and Ballets of Lev Ivanov, Choreographer of ‘The Nutcracker’ and ‘Swan Lake’ (1997), for which he was awarded the de la Torre Bueno Prize for the best book in dance published that year. With Malcolm Hamrick Brown he edited Slavonic and Western Music: Essays for Gerald Abraham (1985). Other editions include Two Essays on Stepanov Dance Notation by Alexander Gorsky (1978) and Charles-Louis Didelot, Three Kings’ Theatre Ballets, 1796–1801 (1994). He wrote the entry on ‘Tchaikovsky’ for the latest edition of The New Grove Dictionary.
Teaching at the University of Michigan
His teaching embraces Russian music, celebrated non-Russian composers of the time, and seminar work from music drama to artsong to Tchaikovsky. He has advised Michigan dissertations on Musorgsky, Schubert, Mendelssohn’s revival of Bach, Franz Liszt, music in the Soviet 1920s, and Stravinsky ballet.
Professor Roland John Wiley
School of Music, Theatre & Dance
University of Michigan
Ann Arbor, MI 48109–firstname.lastname@example.org
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