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E.V. Moore Building reopens following $29.5 million renovation and expansion

 09/15/2015

Following a three-year, $29.5 million renovation and expansion, the Earl V. Moore Building on North Campus reopened this fall, providing students at the School of Music, Theatre & Dance a vastly improved facility for music studies.

The 1964 building, originally designed by the renowned mid-century architect Eero Saarinen, now includes the William K. and Delores S. Brehm Pavilion, a new wing that adds 34,000 gross square feet.

Named for the project's lead donors and longtime U-M supporters William and Delores Brehm, the new wing houses a welcoming new entrance and lobby, a rehearsal hall for large ensembles, a music technology center, a state-of-the-art lecture hall, a suite of percussion practice rooms and new classrooms.

In addition to the many new spaces in the Brehm Pavilion, the entire building received substantial renovations resulting in a 25-percent increase in practice rooms; a public commons; significant acoustical, aesthetic and functional improvements to existing rehearsal and performance spaces; and a reconfiguring of faculty offices and studio space to accommodate a music program that has grown exponentially since the original building was first planned in the 1950s.

The transformed facility is expected to improve every aspect of music studies, from practice, rehearsals and performances to lectures, individual studio lessons and the mastering of music and other performing arts technologies.

To celebrate the reopening, SMTD hosted a free "Musical Open House" for the public on Sept. 18. The festivities included student rehearsals, faculty performances and brief lectures throughout the building to showcase the new and newly enhanced performance, learning and rehearsal spaces. 

"This is truly a historic moment for our school," said Aaron Dworkin, dean of SMTD. "The Moore Building is reclaiming its place as one of the country's finest facilities for the study of music, and will again match the excellence of our faculty and students.

"I am enormously grateful to my predecessor, Dean Christopher Kendall, for expertly shepherding this project through to fruition, and to our many donors, led by the incomparable Bill and Dee Brehm, whose generosity and vision have inspired so many in the planning and execution of this tremendous project.

"The reopening of Moore ushers in a very exciting new era at SMTD, with the building contributing critically to the exceptional education of our students, and to enhancing the arts experience of the university and the community."

This is the second expansion of the Moore Building. The Margaret Dow Towsley Center was added in 1985, providing the school with the McIntosh Theatre and Blanche Anderson Moore Organ Hall.

This latest expansion and renovation, which began in spring 2014, answers the need for more space, accommodating the growth of a music program that added the departments of musical theatre, jazz and performing arts technology over the last half century as the school saw a doubling in faculty and enrollments. It also addresses the ever-growing importance of technology in the field of music, and its use by performing artists of all disciplines as they develop entrepreneurial skills.

The project's architect of record was Integrated Design Solutions of Troy, Mich. The design architect was Ennead Architects LLP of New York City. Kirkegaard Associates, one of the preeminent acoustic design firms in the country, served as the acousticians.

Renovating the original 121,240-square-foot building and adding a 21,900-square-foot expansion, the design respectfully complements the landmark Eero Saarinen building, giving the complex a new, progressive identity, and providing the school with state-of-the-art facilities commensurate with its institutional reputation as one of the premier performing arts schools in the U.S.

The university provided a clear analysis of the pre-existing facility and its program. Faculty and students were interviewed to determine what they perceived as their greatest needs moving forward. The design team established the appropriate scope for renovation and new expansion, guided by consensus-driven priorities provided by the school and the acoustical requirements for sound isolation and room acoustics.

Key features of the newly renovated and expanded Moore Building include:

• Hankinson Rehearsal Hall, designed to accommodate large instrumental ensembles, including the University Symphony Orchestra and University Symphony Band.

• Soderquist Atrium, a new, welcoming and primary entrance for the Moore Building that offers comfortable space to accommodate audiences that annually attend hundreds of recitals and performances at the building.

• Glenn E. Watkins Lecture Hall, designed especially for academic lectures, state-of-the-art classroom teaching, and visiting artist and scholar presentations.

• Bill Brehm Technology Innovation Suite, containing the Chip Davis Technology Studio, a multimedia lab. The suite also includes a control room/surround sound space, workshops, editing labs and machine room.

• Suite of percussion and jazz percussion practice rooms, teaching studios and rehearsal spaces with advanced acoustical attributes.

• Renovation of the existing rehearsal hall, now the Carolyn and Milton Kevreson Rehearsal Hall.

• Renovation of McIntosh Theatre, including technology updates made possible by a gift from the Charles H. Gershenson Trust.

• A substantial increase in the number of practice rooms, acoustical updates and increased room sizes for the practice wing, now known as the Stephen M. Schwartzberg Practice Wing.

• An expansive public commons to provide a space with comfortable seating for meetings, studying, eating, collaborating and relaxing.

• New classrooms designed with acoustical treatment for academic classes and chamber music rehearsal space.

• Added faculty offices and studios for one-on-one student-teacher interactions.

Donors who contributed to the construction of the Brehm Pavilion and the renovation of the Moore Building include William K. and Delores S. Brehm; Cohen Family Fund of the Community Foundation for Southeast Michigan; Chip Davis; Charles H. Gershenson Trust; H. David Kaplan; Milton and Carolyn Kevreson Trust; Herman Miller Cares; James Read; the Schwartzberg family; Glenn E. Watkins; and an anonymous gift in honor of Regent Katherine White.

past news

March 2017

Alumnus Michael-Thomas Foumai, MM '11, DMA '14, was named one of the 2017 Morton Gould Young Composer Award recipients by ASCAP.   03/30/2017

Dean Dworkin's statement on proposed elimination of NEA and NEH 03/16/2017

June 2016
January 2016
October 2013

Professor Bright Sheng is profiled in the Detroit News, in anticipation of the debut of his violin concerto, "Let Fly," to be performed by Gil Shaham with the Detroit Symphony Orchestra Oct 4-6, 2013, conducted by Leonard Slatkin.    10/02/2013

September 2013

DMA composition student Patrick Harlin has been named the first-ever winner of the Hermitage Prize, awarded by the Aspen Music Festival and the Hermitage Artist Retreat.    09/04/2013

November 2011
November 2009
May 2009
Moore Building's new Brehm Pavilion (photo: Michigan Photography, Eric Bronson)
Current News
UMS, SMTD and the New York Philharmonic Announce Details for 2017 MICHIGAN Residency more
 

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Photography Credits:

U-M Photo Services

Joe Welsh

Peter Smith

David Smith

Glen Behring

Tom Bower

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